I’ve got the following text from an AI analysis on Google and I’m using it here as a quote, although I had no idea who’s written it or when—the analysis is not revealing its source, if any. Of course, it’s only a part of the analysis that impressed me most, and therefore I thought of putting it down here for all people of the same ilk. And yes, I’ve tweaked it bit to cover more of the categories of people obviously involved. "Many emerging or existing artists/writers/discoverers feel ignored, with their work going unnoticed, which is often a burden of being in creative industries , rather than a reflection of talent." Very right indeed! Creative people who have put out their work in the public domain would most naturally like to be noticed and be told if their work is poor or mediocre or even good. When nothing of that sort happens they most naturally get frustrated and even indignant that nobody is even aware of their work and the very few who have indeed gone throug...
‘Our ragas are based on time periods like the morning, afternoon, evening and late night hours. But the time slot now-a-days for concerts is 6pm to 10pm due to security reasons or whatever. If we exceed police will come and arrest the artists and the organizers. This means performances can be done only on a few limited ragas again and again. Morning and afternoon concerts are rare and late night concerts whether indoor or outdoor are impossible.’ Said santoor legend Pandit Shivkumar Sharma on 10th January, 2009 at a two-day seminar on ‘Reconsidering Fundamental Issues in Indian Art Music’ organized by ITC Sangeet Research Academy at NCPA, Mumbai. Panditji was speaking at the session on ‘Time Theory’. While making it clear that he was speaking neither for or against the time theory Pandit Shivkumar Sharma elaborated further, ‘In old days we were closer to nature and most concerts were organized outdoor with nature manifested in full glory. Now in air conditioned auditoriums time becom...