I’ve got the following text from an AI analysis on Google and I’m using it here as a quote, although I had no idea who’s written it or when—the analysis is not revealing its source, if any. Of course, it’s only a part of the analysis that impressed me most, and therefore I thought of putting it down here for all people of the same ilk. And yes, I’ve tweaked it bit to cover more of the categories of people obviously involved. "Many emerging or existing artists/writers/discoverers feel ignored, with their work going unnoticed, which is often a burden of being in creative industries , rather than a reflection of talent." Very right indeed! Creative people who have put out their work in the public domain would most naturally like to be noticed and be told if their work is poor or mediocre or even good. When nothing of that sort happens they most naturally get frustrated and even indignant that nobody is even aware of their work and the very few who have indeed gone throug...
Rohit Shetty’s directorial abilities are at stake, as far as the supposed OTT version of his famed police franchise is concerned. The first and the best movie of the franchise continues to remain to be Singham (2011); even though the Singham sequels and other movies like Simmba (2018) and Suryavanshi (2021) are fairly gripping and absorbing. But Indian Police Force-Season 1 (IPF) that release on Amazon Prime Video recently is not. Obviously, the ebullient director has not properly concentrated on developing the plot and the script. His favorite scenes of cars crashing and blasting in air, punchy fights and elaborate gun-fights and chases are all there; but he should’ve understood that such scenes, though very well shot, do not create the desired effect on the small screen as these do on the big screens of PVRs, INOXs, Cinepolis’s and so on. Even if we overlook this particular aspect, we’re in for further disappointment as the action drama unfolds. There’s just no suspense in the...