I’ve got the following text from an AI analysis on Google and I’m using it here as a quote, although I had no idea who’s written it or when—the analysis is not revealing its source, if any. Of course, it’s only a part of the analysis that impressed me most, and therefore I thought of putting it down here for all people of the same ilk. And yes, I’ve tweaked it bit to cover more of the categories of people obviously involved. "Many emerging or existing artists/writers/discoverers feel ignored, with their work going unnoticed, which is often a burden of being in creative industries , rather than a reflection of talent." Very right indeed! Creative people who have put out their work in the public domain would most naturally like to be noticed and be told if their work is poor or mediocre or even good. When nothing of that sort happens they most naturally get frustrated and even indignant that nobody is even aware of their work and the very few who have indeed gone throug...
Honestly speaking, there is no need of writing a review for a listless movie called Race 2, still I decided upon writing one, definitely not as review of the movie but as a lament on Abbas-Mustan, the most exciting director duo of Bollywood, for their ‘twisted’ attempt of crafting another suspense thriller, a genre where they proved their mastery beyond doubt for over two decades. Known for the landmark Bollywood films like Khiladi ( 1992) , Baazigar (1993) , Daraar (1996) , Soldier (1998) , Baadshah (1999) and Ajnabee (2001) which were also major successes at the box office, the director duo always remained truthful to the popular formula format of drama-comedy-action-music-dance and yet dished out convincingly genuine entertainers in the suspense-action genre. The slick and breathless moments of suspense taken forward with enlivening pace has made all major Abbas-Mustan movies really memorable. The other technical details like photography, sound track, editing and mus...