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Showing posts with label Dadasaheb Phalke Award. Show all posts
Showing posts with label Dadasaheb Phalke Award. Show all posts

Dilip Kumar: The Legendary Hero Of The Classical Era Passes Away!




Another golden chapter of Hindi cinema has drawn to a close. Dilip Kumar, the legendary hero of the classical era traversing over six glorious decades of providing top-class entertainment to millions of fans the world over, has passed away at a Mumbai hospital today morning. He was admitted in the ICU on 30th June due to a prolonged illness, and in fact, for the last more than a month he had been in and out of hospital with constant prayers from his loving wife Saira Banu, one of the most popular heroines of the classical era, family, friends and millions of fans for his recovery. However, finally the doyen of Hindi cinema bowed down to destiny and the will of God, calling it a day at the ripe age of 98, two years short of what could have been the most memorable occasions of Indian film industry. 


Dilip Kumar has always been a tremendous fighter, both in his films and in his great variety of roles as well as in personal life fighting serious health issues for several years. In 2013 he was admitted in a Mumbai hospital after a mild heart attack and was kept under observation for the next three days due to the ensuing Ganesha Festival with the final immersion coming up on 18thSeptember. He was reportedly put under ventilation on the evening of 17thSeptember as rumors of his passing away became almost viral. Finally, the heartthrob of millions won their hearts coming back home victorious. Dilip Kumar celebrated his 90th birthday in December 2012, but his health has been indifferent from around the second week of September, 2011.



With Vyjayanthimala
We have been acquainted with the screen image of Dilip Kumar (1922-2021) since our birth and have always loved him like the simple man next door, and got awed by his sad and melancholic looks. He was down to earth in most of his roles and seemed to have lived all the roles he played. This is hardly to overlook his image as the romantic hero of the Hindi cinema's classical era and we found him paired with almost all the leading ladies, particularly Vyjayanthimala with whom he danced around the bushes too and was paired the maximum number of times. Apart from being entertained by him in many later movies like Ram Aur Shyam or Gopi we always held him in great esteem and respect. His movie songs mostly rendered by Mohammed
Rafi are evergreen numbers even for the new generation.



With Amitabh Bachchan
It is for his true-to-life performances that the Indian legendary film director Satyajit Ray described him as the perfect ‘method’ actor of Indian Cinema. Superstar of the millennium Amitabh Bachchan has described him as the greatest actor ever.




Dilip Kumar debuted in 1944 with a movie Jwar Bhata and tasted box office success in his very next film. He earned a breakthrough role in Andaz (1949) where he starred alongside Raj Kapoor and Nargis in a love triangle. While his movies in the early fifties earned him the title of ‘Tragedy King’ many other movies also established his romantic or historic or even comic image. His Mughal-e-Azam(1960) was a landmark historical film and held the record of being the biggest Bollywood grosser till 2008. 



In the seventies his career suffered a temporary setback with several films not doing that well and he took a five-year break from movies in 1976. However, he returned with renewed vigor in Kranti (1981) where he played a character role and that marked the beginning of his equally successful stint as a character actor. Though cast as a character actor his roles in most films were often pivotal dominating the full plot and for our generation movies like Shakti (1982--with Amitabh Bachchan) and Mashaal (1984--with Anil Kapoor) still remain as the most remembered. He continued acting till his last screen appearance in 1998. However with his heroine-wife Saira Banu he was always seen in celebrity events and interviews.


With Saira Banu
For his tremendous and lasting contribution to Indian Cinema the Government of India honored him with Padmabhushanin 1991 and the supreme cine-honor Dadasaheb Phalke Award in 1994. He was the first ever recipient of the Filmfare Best Actor award in 1954 for his film Daagand he shared his record of the maximum number of Filmfare awards only with Shahrukh Khan of modern Bollywood. He was also immensely popular in Pakistan and the Government of Pakistan honored him with the highest civil award Nishan-e-Imtiazin 1997. 


We salute the legend and pray for the eternal bliss of his noble soul. Dilip Kumar will remain our hearts forever.


Nation Pays Homage to Pran: The Beloved Villain Of Bollywood!

Veteran actor and the most beloved villain of Bollywood (read Hindi Cinema) passed away at 93 in a Mumbai hospital on the evening of July 12, 2013. He had not been keeping well for a long time and could not attend the National Awards Ceremony held in New Delhi on May 3, 2013. In an emotionally charged function at Pran's Residence in Mumbai on May 10, 2013 the Indian Information and Broadcasting Minister Manish Tewary accompanied by top officers presented the prestigious Dada Saheb Phalke Award to the ailing legend. 

The legendary actor and the classic villain of Bollywood had been cremated with full honors at Shivaji Park in Mumbai around noon yesterday. His body already in a deteriorating state could not be taken home and therefore directly transported to the crematorium in a symbolic last journey. Apart from thousands of fans cutting across the age barrier top stars of Bollywood including Amitabh Bachchan offered their tearful tributes. The national TV channels have been offering their homage stories to Pran round the clock since Thursday night when the 'pran' (life) of India breathed his last. A mourning and grateful nation joined the media showering plaudits on the actor--the bad guy of reel life and a most humble, ever helpful and a perfect gentleman in real life. 

Pran—a name that terrorized us as little kids; a name that we loved to adore as we grew older and a name that has remained with us till now and forever. We were struck with awe by his villainous portrayals and yet we could not stop liking him—his gait, his style of talking, his looks, his smart dress code and the eternal cigarette in his hands. That time we were not capable of judging him as an actor, but the way he kept us spellbound was only due to his intensely powerful and effective performances.  Read More...

Movies: Legendary Bollywood Villain Pran Gets Dadasaheb Phalke Award!



Pran—a name that terrorized us as little kids; a name that we loved to adore as we grew older and a name that has remained with us till now and forever. We were struck with awe by his villainous portrayals and yet we could not stop liking him—his gait, his style of talking, his looks, his smart dress code and the eternal cigarette in his hands. That time we were not capable of judging him as an actor, but the way he kept us spellbound was only due to his intensely powerful and effective performances. Since we loved him so much even as a villain we longed to see him as a good guy on the side of the fighting-for-truth hero. And, we got that hugely satisfying and gratifying experience too.

Pran Krishan Sikand (born 1920) turned 93 in February this year and yesterday, the 12thof April, 2013, he was chosen for the supreme honour of Indian cinema—the Dadasaheb Phalke Award for 2012. Maybe a little late as the classic Bollywood actor is almost unable to walk around or talk articulately. But, never too late. As a media person I tried to capture his expressions and possibly his byte on camera on this momentous occasion by all means, but was advised against it by his closest kin. Quite understandable.  The superstar of the millennium Amitabh Bachchan responded immediately to speak on phone about the legendary villain of the millennium. Incidentally, in most of the 15 movies Amitabh acted with Pran the legendary villain invariably played the good guy or bad guy turned good roles. Some of these movies were runaway hits as we cherished two great superstars—one as the super hero and the other as the staunch and unflinching supporter.

In his six decade long film career Pran never had a low. Hits and super-hits followed him from the early forties to the late nineties. He had been the typical villain with all the classic heroes of those times—Sunil Dutt, Dev Anand, Dilip Kumar, Raj Kapoor and Shammi Kapoor. For our generation a few of the most memorable movies of Pran as a villain that we watched much later were Gumnaam (1965), Ram Aur Shyam(1967), An Evening In Paris (1967), Sadhu Aur Shaitaan (1968) and as late as in 1983 in Andha Kanoon (with Amitabh Bachchan) where Pran played a villain still as lethal . In between he played one or two odd positive roles. 




However, his landmark positive role came in Manoj Kumar’s Upkar (1967) when his prowess in a strong supporting role got noticed. And then, Zanjeer (1973) happened.

In Zanjeerwe had the best of both worlds. We accepted the new angry superhero Amitabh Bachchan who became a household name after this movie. We were overwhelmed by the strong supporting role as the hero’s aide by Pran. For the first time we had two superstars fighting for a common cause—our cause rather considering how emotional and impulsive we were. In fact, Pran recommended Amitabh in the hero’s role for this blockbuster, and the close association between the two superstars that started then never ceased. In the late nineties when Amitabh was going through a crisis Pran helped the Big B by agreeing to act in two movies with him despite his deteriorating health.

We congratulate the perfect villain cum Robin Hood on screen and the perfect, soft spoken and amiable gentleman off screen, Pran Saheb, for this great honour that finally recognized his immense contribution to Indian cinema. He has won many other laurels and awards throughout his career, but this supreme honour just proves again how much he is still loved by people of all ages and walks of life. We hope he will have good health soon and will receive the Award in full flow and in full glow. We salute the great actor.

Commotion at a Durga Puja!

  The Durga Puja pandal was quiet in the morning hours, except for the occasional bursts of incantations from the priests, amplified by th...