I’ve got the following text from an AI analysis on Google and I’m using it here as a quote, although I had no idea who’s written it or when—the analysis is not revealing its source, if any. Of course, it’s only a part of the analysis that impressed me most, and therefore I thought of putting it down here for all people of the same ilk. And yes, I’ve tweaked it bit to cover more of the categories of people obviously involved. "Many emerging or existing artists/writers/discoverers feel ignored, with their work going unnoticed, which is often a burden of being in creative industries , rather than a reflection of talent." Very right indeed! Creative people who have put out their work in the public domain would most naturally like to be noticed and be told if their work is poor or mediocre or even good. When nothing of that sort happens they most naturally get frustrated and even indignant that nobody is even aware of their work and the very few who have indeed gone throug...
Article first published as Mehdi Hassan: The Emperor Of Ghazals Passes Away! on Technorati. He had always been regarded as the most original Ghazal singer. He came into fame in 1957 in Pakistan and dominated the sixties and the seventies with a career ranging five decades. Bad health started plaguing him from the eighties when the masses, particularly in India, started listening to Ghazals and began to admire and love those thanks mainly to the friendlier and popular compositions of Ghulam Ali and Jagjit Singh. But even now, whenever we talk of Ghazal artistes we are told to go back to Mehdi Hassan to relish the essence of pure Ghazals. Mehdi Hassan was born into a family of musicians in the Indian state of Rajasthan in 1927. Though his ancestors had been traditional singers of Dhrupad and though he had a burning passion for music Mehdi Hassan had the hardest time coming to music. Financially in trouble his family shifted to Pakistan during the Partition in 1947 and there in P...