I’ve got the following text from an AI analysis on Google and I’m using it here as a quote, although I had no idea who’s written it or when—the analysis is not revealing its source, if any. Of course, it’s only a part of the analysis that impressed me most, and therefore I thought of putting it down here for all people of the same ilk. And yes, I’ve tweaked it bit to cover more of the categories of people obviously involved. "Many emerging or existing artists/writers/discoverers feel ignored, with their work going unnoticed, which is often a burden of being in creative industries , rather than a reflection of talent." Very right indeed! Creative people who have put out their work in the public domain would most naturally like to be noticed and be told if their work is poor or mediocre or even good. When nothing of that sort happens they most naturally get frustrated and even indignant that nobody is even aware of their work and the very few who have indeed gone throug...
Mani Kaul was one of the pioneering Indian filmmakers who contributed to the evolution of Parallel Cinema in India. Trained in the Film and Television Institute of India Pune, when Ritwik Ghatak was the chairman, Mani Kaul took cinema as an intricate method of expression. His Uski Roti (1969) was a revolution in Indian cinema bringing in an intellectual and intuitive approach to film-making (Filmfare critics award, 1971). Instead of obvious portrayal of emotions he made the audience study and understand every frame of his creations. If you are not attentive you may soon lose the thread of the narrative. Rooted to realism Mani Kaul could hardly differentiate between his masterful features and documentaries. He won his first National Award for his feature ‘ Duvidha’ in 1974 for Best Direction and won his second for his documentary ‘ Siddheswari’ in 1989 for Best Documentary. His musical masterpiece ‘Dhrupad’ (1982) showed his deep understanding of Indian music and rigorous training ...