I’ve got the following text from an AI analysis on Google and I’m using it here as a quote, although I had no idea who’s written it or when—the analysis is not revealing its source, if any. Of course, it’s only a part of the analysis that impressed me most, and therefore I thought of putting it down here for all people of the same ilk. And yes, I’ve tweaked it bit to cover more of the categories of people obviously involved. "Many emerging or existing artists/writers/discoverers feel ignored, with their work going unnoticed, which is often a burden of being in creative industries , rather than a reflection of talent." Very right indeed! Creative people who have put out their work in the public domain would most naturally like to be noticed and be told if their work is poor or mediocre or even good. When nothing of that sort happens they most naturally get frustrated and even indignant that nobody is even aware of their work and the very few who have indeed gone throug...
We got a little late because we had to check out of our hotel this third day being our last of the tour. Our bus was underway around 7am. This morning we were served breakfast at the hotel. Vighneshwar Temple: Our seventh temple of the Ashtavinayaka tour was the Vighneshwar Temple at Ozhar. It is situated on the banks of Kukadi River, 95 km away from Pune city, just off the Pune-Nashik Highway, in the Junnar taluka of Pune district. The temple is enclosed on all sides by high stone walls, and its pinnacle is made of gold. The Ganesha form worshipped here is called Vighneshwar, ‘Lord of obstacles") or Vighnahar (spelt also as Vignahara, "Remover of obstacles") and is associated with the legend of Ganesha defeating Vignasura , the demon of obstacles. The temple is surrounded by a walled compound with a large gateway flanked by two large stone Dvarapala (gatekeepers) sculptures and a row of four musicians in bas relief on the lintel. One can view the Lenyadri shrine and...