Ashish Warang: A Shocking Untimely Loss!

It's really heartbreaking that a powerful character actor should pass away at the age of just 55 while in prime as far the career goes or the huge promise of a lot more to come. Ashish Warang, an actor of Bollywood and the Marathi film industry, had suddenly passed away on Friday, the 5th of September, 2025. There was a total lack of clarity about his demise initially; only today his friends have come out with a statement that he had not been well for some time. First he had jaundice and although he'd recovered from the disease more complications followed in the next few months, finally leading to a cardiac arrest that proved fatal for the sturdy actor. 

Ashish Warang acted with most of the leading Bollywood stars in supporting roles--almost always as a cop. I immensely liked his performances; however, those were very brief roles which didn't linger on in my mind enough to enable me to associate his name with the roles. His face has been very familiar to me, but unfortunately, not his name. While I must take the blame for not doing enough research about him the media must also share the same for not highlighting performances of so many brilliant character artistes doing mostly cameos that still leave a palpable impact in the films concerned and always hyping only the superstars. 

He also did a few hilarious ads for a PhonePe campaign with the megastars Aamir Khan and Alia Bhatt about five years back, again as a cop. In fact, I loved those ads even more than the cameos Ashish played in quite a few Bollywood hits with Ajay Devgn Akshay Kumar, Rani Mukherjee, Ranveer Singh and more. I used to remember those ads often, and yet not the name of the face I so loved. This increases my pain for the sudden void at this moment. We mourn his demise and pray to God to rest his soul in eternal bliss. We share the grief with his family, friends and kin. Om Shanti! 

First Darshan of Lalbaugcha Raja With Release of Picture Postcards and Special Cancellation!

Ganapati (Lord Ganesh) Festival, the biggest 11-day social-cultural-religious festival of Maharashtra, begins this Wednesday, August 27, 2025 with thousands of Sarvajanik (public) and Gharguti (household) Ganesh idols being installed and worshipped across Mumbai and Maharashtra. Throughout the decades of this mass-based pulsating Ganesh Festival Lalbaugcha Raja Puja has been enjoying a special place among the millions of devotees, not only of the state but across India, with His First Darshan being a most sought-after event following which the endless queues mark all of the 11 days. 

For Ganesh Festival-2025 the First Darshan of Lalbaugcha Raja for the digital and print media was organized on Sunday evening, the 24th of August 2025, by The Lalbaugcha Raja Sarvajanik Ganeshotsav Mandal at Lalbaug, Mumbai. 

On this occasion, Amitabh Singh, Chief Postmaster General of Maharashtra Postal Circle, released a set of four picture postcards on "Ganesh Utsav: Cultural Heritage of Maharashtra" along with a special cancellation.

These four Picture Postcards are specially designed for this event by Padma Shri awardee Achyut Palav who was present for the release function. 

Lalbaugcha Raja Sarvajanik Ganesh Utsav Mandal Chairman Babasaheb Sudam Kambale; Secretary Shri Sudhir Sitaram Salavi; Dr. Sudhir Jakhere, APMG (BD) Maharashtra Circle; Yadagiri Nyalapelli, Asstt. Director (PSR) Maharashtra Circle and Philatelist Ashwini Manjure were among those present on the occasion.

Amitabh Singh conveyed his greetings to all the devotees of Lord Ganesh and the philatelists across Maharashtra and Goa.

Ganapati Bappa Morya!

Courtesy: ADPSR, Maharashtra Postal Circle, Mumbai.

Fifty Years of 'Sholay': Celebration by India Post in Mumbai!

The Golden Jubilee of the iconic Hindi movie 'Sholay' was celebrated by the Maharashtra Postal Circle of India Post at an event organized in Mumbai today. On this auspicious occasion the Maharashtra Postal Circle released two specially designed picture postcards and a presentation pack, featuring an exclusive golden cancellation. The event marked 50 years of the cult classic 'Sholay' since its original release on August 15, 1975. 

Amitabh Singh, Chief Postmaster General, Maharashtra Circle, officially unveiled the commemorative items and presented the first album to Ramesh Sippy, the acclaimed director of 'Sholay'.

The ceremony was attended by noted personalities including Shehzad Sippy, Rohan Sippy, Kiran Joneja Sippy and Shivendra Singh Dungarpur. Senior postal officers, Kaiya Arora, Director of Postal Services (Mumbai Region), Simran Kaur, Director of Postal Services (Headquarters), Maharashtra Circle and Rekha Rizvi, Director, Mumbai GPO were also present.

The launch attracted a large gathering of philatelists and film enthusiasts of Bollywood, reflecting the film’s enduring popularity. Half a century after its release, the epic action saga 'Sholay' continues to hold a special place in the cultural and cinematic heritage of India. 

(Courtesy: ADPSR, Maharashtra Postal Circle, Mumbai.)

And Then the Winter!

When we returned to Kolkata by the third week of January 2023 we hoped we still had a chance of catching the winter that we miss most often due to our compulsory visits to Maharashtra. As per our own experience in previous years in the city of joy the month of February could still be cold or even chilly if you're lucky! We had the stock of the woollens ready to welcome us in. However, to our utter disappointment the temperatures kept on climbing making the use of all my sweaters, jackets, blazers and so on an wasted thought. The summer looked to be around very early this time. In fact, in several regions of the country there were heat waves! February heat waves, imagine! 

Early March we came to Assam as another integral part of our compulsive itinerary. The first few days were almost the same in terms of heat, except that the nights were much cooler, but still not enough to justify the use of sweaters one of which I carried in my bag as a reasonable discretion. From the 15th of that month things changed, as if to recompense our unfulfilled desires. 

Weather became cloudy. Rains, not exactly downpours, became intermittent; there were thunderstorms in various parts; and a steady cold breeze became the order of every day. All these factors made the air cool, and then really chilly. I thanked myself profusely for my discretion of carrying a sweater. I wore that continuously for at least ten days and thought remorsefully about the unutilized stock cold shouldered by the cupboards of Kolkata! 

We don't know if the conditions thus created are thanks to the unseasonal rains or the westerly winds or the ominously omnipresent climate change phenomenon. But anyhow, we had the winter that we desired so much to enjoy, even though we'd discovered it quite a bit  late. Yes, and then the winter, belated but most welcome! 

Over the 'wintry' days we got the news that these conditions were observed in most parts of the country, and that the month became the coldest March in more than seventy years. 

Now, what but to brace for the looming summer which, as the Met department has already declared, is going to be rough with above normal temperatures in almost all the states of India. But as usual, we cannot be too sure of anything. Soaring heat that then becomes intolerably humid has been the state of things in the last at least three years, with add-on of the Pandemic. Only wish the Homo Sapiens had found a solution to tackle climate change and global warming effectively. To be safe, let's not worry too much! 

India Post: Business Meet to Provide Logistic Solutions for Speedy Delivery of Parcels and Cargo!

Maharashtra Postal Circle has today organized ‘Business Meet-2022’ in Mumbai with a view to announce the Circle’s new initiatives to its bulk customers in providing logistic solutions for the speedy delivery of parcels and cargo services. This Meet is a part of the National Postal Week-2022 being celebrated from 9^th to 13^th October with various daily activities wherein October 12 has been marked as the ‘Mails and Parcel Day’. The highlight of this Business Meet has been the presentation of the new initiatives in the presence of India Post’s major stakeholders from Mumbai and Navi Mumbai as regards the parcels and cargo services.

 

Amitabh Singh, Postmaster General (Mails & Business Development), made the presentation regarding the new initiatives taken up by the Department of Posts and apprised the Customers of the planned Logistic Post and Express Cargo Service revamp.

 

During the interactive session that followed discussions were held for ensuring better and speedy delivery performance, and also exploring new routes for the first-of-its-kind Rail Post Gati Shakti Project which had been initiated by the Western Railway in collaboration with India Post in Gujarat and Maharashtra earlier this year. Ganesh Sawaleshwarkar, Postmaster General, Navi Mumbai Region, made a very important point by emphasizing upon the need of better co-ordination between the Department of Posts and the Customs for speedy clearance of parcels at airports. If this objective is realized, this is bound to ease the woes of the concerned in near future.

 

More than top fifty stakeholders for Maharashtra Postal Circle from Mumbai and Navi Mumbai Region including the Election Commission, the Regional Passport office, Banking Institutions and other logistic providers, dealing in both Parcels and International mails, attended the meet. Pharmaceutical companies and Engineering product manufactures showed keen interest in the new Logistics solutions provided by the Department of Posts in co-ordination with the Indian Railways. 

 

Veena Srinivas, Chief Postmaster General, Maharashtra Circle, presided over the Business Meet. Shrikant Deshpande, Chief Electoral officer of Maharashtra State and Dr. Rajesh Gawande, Regional Passport officer were also present on the occasion.

 

A special Diwali Greeting card was released on the occasion which will be available for sale to all citizens through selected Post offices in Maharashtra & Goa.

 

(Courtesy: Department of Posts, Maharashtra Circle.)

Hindustani Classical Music Living Legend Dr. Prabha Atre Speaks!

The living legend of Indian Classical (Hindustani) Music and the senior most vocalist of the Kirana Gharana, Padma Vibhushan Dr. Prabha Atre celebrates her 90^thbirthday on 13^th September, 2022. This is indeed a most significant and momentous occasion in the history of Indian classical music as the complete artiste goes tirelessly on serving the cause of music with her lilting compositions, her sweet and melodious presentations, her scholarly discourses, her progressive outlook, her in-depth research and enlightening books and her devoted role as the most ideal beloved Guru for her countless disciples. Dr Prabha Atre holds the world record in releasing 11 books on a single subject which is music and has been instrumental in propagating and popularizing Indian classical vocal music in the West as the late Pt. Ravishankar did with the Sitar. On this occasion the legendary artiste is also initiating a new chapter with the inauguration of the Kirana Gharana Library and Resource Centre in her Gurukul in Pune on the morning of 13^th September.

 

I have had the good fortune of knowing this great personality for over the last thirty years thanks to her adopting my wife Ragini Chakravarty as one of her leading disciples. I had great moments of meeting her in various ways—as a motherly figure in her home or in our home, her precious lessons to my wife and her sternly professional form in public concerts. What fascinated me from the beginning has been her modesty, simplicity and a down-to-earth approach to life. Her exemplary lifestyle is indeed the secret of her boundless energy and astounding success. To mark this great occasion, we reproduce below Dr Prabha Atre’s appeal to the music lovers and a thought-provoking article on music that could very well lead to the much-needed reforms apart from enlightening the music learners as well as music lovers on the modern trends in music. (Courtesy: Bharathi MD, Secretary, Dr. Prabha Atre Foundation. Thanks to the efforts of the Foundation the gems and the evergreen presentations of Dr. Prabha Atre are being made available on a weekly basis on YouTube.)

Dear Music Fraternity

Namaskar!

 

Standing at the doors of 90, I, as a classical singer would like to share my thoughts

about raag-ras and raag-samay concepts in Hindustani classical music. We all know that

tradition is not a stagnant pool. It is a river flowing with time, assimilating new trends and

discarding outdated practices. We have to examine today’s music performance in the

context of present times. I request you all to go through the write-up given below. Don’t

 you think we should make necessary changes to make our music richer based on logical

 and scientific reasoning?

        

(Prabha Atre) 

 

 

RAAG-RAS AND RAAG-SAMAY

 

Music is considered to be the purest form of art. It does not represent anything in this world.  It has its own language and meaning.  Its abstract nature detaches it from all the ‘known’ in this world. Man has used music consciously or unconsciously to express his feelings. Thus, the abstract in music became concrete and specific for him. The abstract quality of music is best represented in the concept of raag in Indian music where music exists for itself, it remains within itself.   To approach raag in its bare form, therefore, is difficult both for an artist and a lay listener.

 

The association with some ‘known’ element helps the artist in giving character to the raag and listener to experience its emotional content. Therefore, in the process of creating a raag the artist in spite of having good knowledge of theory and technique looks for some outside help to transform the ‘abstract’ in raag into the ‘concrete’.

 

The concepts of raag-ras and raag-samay are an attempt to provide ‘concrete’ to the ‘abstract’ in raag. By identifying melodies with gods, seasons, hours of the day, etc., man attributed ras or moods to melodies, which helped him to create his music with distinct character.

 

Raag-time theory is also an attempt to provide ‘concrete’ to the ‘abstract’ in raag.At one time, man was very close to nature which perhaps explains the relation between a raag and a particular time. Today, man is far away from nature, living in closed walls, in an artificial environment. His life-style and habits have changed considerably. Under these circumstances, can one relate raag with time?

 

The abstract in music can be experienced best when there is some visual, some past association and some verbal communication to go with it. The time theory provided necessary context, especially to distinguish between melodies having similar features.

 

The modern theory of enjoying music advocates thatthe aesthetic emotions are generated mainly through the expressiveness of the voice, treatment of the musical material and tempo. The verbal text, visuals if used effectively, or associations, can also help to produce a specific ras or mood in music. A raag can express different shades of the same mood depending upon whether it is using aalaap, taan, sargam, or bol-phrases. Tempo, however, plays a vital role in creating moods.

 

A number of questions arise in the context of raag-ras and raag-time theories:

1. Raags are attributed specific ras. But very often the themes of the bandish i.e., song-text are contradictory to the ras. E.g., raag Bhairavi is supposed to convey Karuna (pathos) ras. The diverse themes of the song-texts in Bhairavi seem to give their meaning to raag, and listeners still enjoy it thoroughly. Raag Bhairavi is sung at any time.

2. Almost every raag, irrespective of time seems to create a lively, happy atmosphere when it enters into a fast tempo.

3. Over the years, some raags have changed considerably retaining their old names. What about their ras and time?

4. What is the time and ras of mishra (mixed) raags — raags evolved out of the combination of two or more raags having different ras?

5. What is the ras and time of a newly created raag?

6. Does an audience — Indian or non-Indian experience the same ras of a raag at a particular time?

7. When the same raag is presented by different artists, or when the same raag is presented by the same artist at different times, does every listener have the same experience?

All these go to prove that the raag-character and the raag-mood are intrinsically related to its own musical material and its treatment. Its characteristic phrases and their flow give it its musical identity and beauty, and generate aesthetic emotions.

These aesthetic emotions are converted into a specific ras or mood independently by the performer or the listener depending on their state of mind.

There are various other things which make one to think about the relevance of raag- time theory.

1. Radio, TV, and recording companies record any raag any time and that does not seem to have any effect on the presentation of the raag. Not only that, radio and TV channels broadcast these recordings at any time, according to their need. It is only in public performances that time is imposed on a raag to manifest its mood.

2. One practices any raag any time, according to his convenience and that does not seem to affect or tarnish the mood of the raag or its character.

3. What about mishra raags? Why should Bhairav-Bahaar and Yamani-Bilaawal be presented in morning only? Bahaar and Yaman are night raags.   Why shouldn’t these raags be rendered at night also?

4.  When one listens to film songs, naatya sangeet (theatre songs) of Maharashtra, or devotional songs based on a pure raag, the raag-time principle does not even remotely cross one’s mind. On the contrary one seems to enjoy any raag any time.

5.   Carnatic music is considered more tradition bound; yet it does not follow the time theory strictly. However, Hindustani music with all its flexibility still advocates the time theory!

If time theory is to be strictly followed, then there is a danger of losing raags which fall outside the concert timings. Isn’t that a great loss to Indian music?

All these queries need to be addressed scientifically, logically.

 

At present, raag-ras and raag-samay concepts are mentioned more due to the conditioning of tradition than to be followed strictly. These concepts have been deeply embedded in our psyche due to age old traditions. They have lost their relevance, context with the passage of time, but they are still followed blindly. Don’t they need to be tested scientifically? It is tradition alone which provides new pathways. If tradition starts hampering the progress and growth, then it needs to be redefined in the changed context. In such circumstances, it does not get broken or mutilated, but gets rejuvenated to provide new directions.

 

What should matter is not the time of presentation, but the quality, the effectiveness of presentation – the raag-roop evolves well and irrespective of time and ras the presentation should to be effective and should give aanandaanubhooti/bliss to both the artiste and listener.

 

 

                                                                                        --- By Dr Prabha Atre

 

                                                                                                           

The Twisted Maharashtra Climax: Triumph or Loss of Face for BJP?

If the national ruling party BJP, through the bizarre turns and twists of the tale, wants the citizens of the country, irrespective of being their supporters or not, to believe that the party was not behind what unfolded in Maharashtra over the last 9 days the party leadership is under a delusion and totally on the wrong track; because everybody has been getting used to their games over the last few years, from Arunachal Pradesh to Goa. It had been a forgone conclusion that the waiting-in-queue former Chief Minister of Maharashtra, Devendra Fadnavis was set to become the CM after a lapse of two and half years, till the last few hours in the afternoon of Thursday, the 30^th of June 2022 when the rebel group leader Eknath Shinde arrived in Mumbai to talk and negotiate with Fadnavis for the formation of the new government, still leaving his 49 or 50 supporters behind in Goa. As per the script both the leaders met the Governor and staked their claims. Again as per the script the oath-taking ceremony was to be held on Friday, the 1^st of July 2022. However, things bizarre started happening very fast after that.

 

First, the swearing-in ceremony for the formation of the new government was advanced to 7pm today itself, that is say, at least the swearing-in of the new CM. And then, in a joint press conference addressed by Shinde and Fadnavis the latter dropped the bombshell that the new CM was going to be Eknath Shinde, and not himself as was widely expected in media circles.  Fadnavis went on to say that the state BJP would not even be a part of the government, only extending his party’s support to Shinde’s faction from outside.  That announcement left everyone in utter disbelief and it was speculated that the BJP, in fact, wanted to oust the Thackeray family from active politics while still claiming the legacy of Balasaheb Thackeray and to show that they’d not been hungry for power at all, not at all having any part to play in the split in Shiv Sena. It was also speculated that Fadnavis wanted to become the kingmaker or the remote control to monopolize the Hindutva space in the state.

 

In another twist just before the oath-taking ceremony Devendra Fadnavis announced that they’d in fact be a part of the new government and that he’d be the new Deputy Chief Minister. This announcement was supposedly made at the directions of the BJP high command in Delhi. And accordingly, the swearing-in ceremony was organized with Shinde taking the oath as the new CM and Fadnavis as the Deputy CM.

 

While the earlier speculations we mentioned could still be valid the question arises as to why the mighty BJP should allow the party to demote itself to a secondary position. Could it be due to factors of compulsion? Because, the only hope of the BJP to recapture power depends entirely on that faction of 49 legislators supporting Shinde who claims to be the real Shiv Sena and should they decide to go back to the Thackeray fold later the BJP would again be out of power. This makes the alliance as unholy as the earlier one looking at a volatile future ahead. So far the defectors have been kept safely away from the hub of politics, but they will have to come back to take oath, join the government and run it.

 

Another question that arises is that if the BJP is agreeable to giving away the post of the CM to Shiv Sena why they didn’t do it in 2019 which would’ve prevented the entire political drama to unleash ceaselessly in the following two and half years and would’ve ensured a BJP CM for at least two and half years seamlessly. Such questions raise the doubt that the BJP has in fact suffered a loss of face under pressing compulsions. One BJP national spokesperson has stoutly justified the move saying that their party is committed to ending family rule in politics across the country; well, that can be too tall a promise. Besides, a long battle lies ahead of Shinde’s faction to fight for the original party symbol and to appropriate the Balasaheb legacy at the same time. On the other hand, the NCP stalwart Sharad Pawar is not going to sit idle and watch the games as a spectator. Only the future can tell on how solid grounds the new alliance stands at the moment.

 

In any case, it’s become a struggle for sheer survival as far as Uddhav and Aaditya Thackeray and their loyalists are concerned. They still have the support of about 16 legislators and a few of the Members of Parliament, and enjoy grass-root support in the metro of Mumbai. But the real test scenario is set to unfold in rural Maharashtra and other districts of the state. They should stop crying hoarse about their own people deserting them, and instead should fight it out in all corners of the state.

Uddhav Thackeray Resigns, Celebrations in the State BJP Camp!

Ahead of the trust vote ordered by the Supreme Court that is to be carried out on the floor of the Maharashtra Legislative Assembly by 5pm on Thursday, the30^thJune 2022 Uddhav Thackeray has resigned from the post of Chief Minister on his Facebook Live address at 9.30pm today which was taken live on the television news channels across the country. The emotions of Uddhav Thackeray hardly mattered now as his resignation signified the end of his government and the trust vote tomorrow has become redundant. He has also resigned from his elected post of the Maharashtra Legislative Council. What had been billed as the ideal opposition alliance for the country to counter the growth of BJP the Maharashtra Vikas Aghadi (MVA) has come to an end too. News of the formation of a new government led by the former CM Devendra Fadnavis is circulating at the moment with some news channels predicting a new government on July 1, 2022. The Governor, after accepting Uddhav’s resignation officially, may invite the single largest party which is BJP to form a new government and prove their majority later or the BJP with the Shiv Sena rebels may visit the Governor to stake claims. Uddhav’s resignation letter was in the process of being handed over to the Governor as the last reports came in.

 

Meanwhile, the holidaying Shiv Sena rebels (now claimed to be 49 including a few independents) along with their leader Eknath Shinde had been shifted from Guwahati to another luxury resort in Goa in the evening today and they are likely to return to Mumbai early morning tomorrow to have discussions or negotiations with the BJP first and then picking up on the government formation process. It’s almost certain that Fadnavis will be the new CM, waiting for more than two and half years. It can called a quirk of nature that the Shiv Sena left the pre-poll alliance with the BJP on the CM post issue, demanding a rotational CM for half of the five-year term each; and in around two and half years only the Uddhav government has fallen.

 

The state BJP has been celebrating in their Mumbai party office with Devendra Fadnavis present and being served with sweets. There are actually three cheers for them: first, they’ve avenged the betrayal of the Shiv Sena in 2019; second, they’ve successfully engineered the biggest split ever in Shiv Sena ranks thus somewhat clearing the way to become the only Hindutva party in the state; and third, they’ve achieved a most significant victory in the run-up to the General Elections in 2024 by recapturing the state with the financial capital of the country. Although Eknath Shinde wants to retain his faction’s identity as the real Shiv Sena it’s going to be a long legal battle to do so. The Shiv Sena earlier made it very clear that they’d never allow the legacy of Balasaheb Thackeray to be taken away from them. How long would Shiv Sean exist with the isolation of the Thackeray family is also to be seen in the coming days.

 

There have been protests against the ‘traitor’ rebel MLAs and counter demonstrations in support of Shinde across the state in the last few days which made the Governor order the state police to ensure safety of the rebels once they come back to Mumbai. Interestingly, the pleas for and against disqualification of 16 rebel MLAs as demanded by Shiv Sena is pending with the Supreme Court with a hearing scheduled on 12^thJuly. The apex Court came into the scenario as there’s been no Speaker in the assembly and the Deputy Speaker in charge is qualified to handle the matters relating to issues of disqualification and ordering a no-confidence motion.

(PS: The Final Twist! As on the afternoon of 30.06.2022, former BJP CM Devendra Fadnavis has declared the Shiv Sena rebel group leader Eknath Shinde as the next CM of Maharashtra!! This move has surprised one and all. Is it aimed at finishing off the traditional Thackeray family led Shiv Sena? It'll take time for a much clearer picture.)