I’ve got the following text from an AI analysis on Google and I’m using it here as a quote, although I had no idea who’s written it or when—the analysis is not revealing its source, if any. Of course, it’s only a part of the analysis that impressed me most, and therefore I thought of putting it down here for all people of the same ilk. And yes, I’ve tweaked it bit to cover more of the categories of people obviously involved. "Many emerging or existing artists/writers/discoverers feel ignored, with their work going unnoticed, which is often a burden of being in creative industries , rather than a reflection of talent." Very right indeed! Creative people who have put out their work in the public domain would most naturally like to be noticed and be told if their work is poor or mediocre or even good. When nothing of that sort happens they most naturally get frustrated and even indignant that nobody is even aware of their work and the very few who have indeed gone throug...
I did indeed have some regrets though as I couldn’t pay my homage to the legendary Santoor maestro Pandit Shiv Kumar Sharma on time, and as an aftereffect failed to write about the Australian cricketer Andrew Symonds . Pt. Shiv Kumar Sharma passed away in a Mumbai hospital on 10 th May 2022 after a prolonged period of kidney ailments and dialysis, at the age of 84. The glowing and flowing tributes paid to him from the music world, particularly the field of Indian Classical Music , and from all other fields which are still continuing show what a music stalwart he had been since the fifties. Panditji had introduced a folk string instrument called Santoor that used to be played in Kashmir and had Persian origins to Indian Classical Music and popularized it immensely with his learning, concerts and fusion all over the globe and through an invaluable collection of albums. At his very initiation to this instrument by his vocalist father Uma Dutt Sharma young Shiv Kumar observed the playin...