I’ve got the following text from an AI analysis on Google and I’m using it here as a quote, although I had no idea who’s written it or when—the analysis is not revealing its source, if any. Of course, it’s only a part of the analysis that impressed me most, and therefore I thought of putting it down here for all people of the same ilk. And yes, I’ve tweaked it bit to cover more of the categories of people obviously involved. "Many emerging or existing artists/writers/discoverers feel ignored, with their work going unnoticed, which is often a burden of being in creative industries , rather than a reflection of talent." Very right indeed! Creative people who have put out their work in the public domain would most naturally like to be noticed and be told if their work is poor or mediocre or even good. When nothing of that sort happens they most naturally get frustrated and even indignant that nobody is even aware of their work and the very few who have indeed gone throug...
Suspense films are a rare genre in India. You can very easily count such films since the sixties to the present. Maybe genuine suspense plots do not fit into the mass-entertainment formula mostly adopted by mainstream Hindi cinema called Bollywood. Efforts have been made over time to make such movies, but most often elements of suspense get submerged and totally neutralized in the flood of song-dance sequences, overpopulated action scenes and compulsorily loud comedy track. Kahaani (The Story), directed and co-produced by Sujoy Ghosh , successfully emerges as a genuine suspense flick keeping you engrossed and guessing till the very end. Released on March 9, 2012 the movie had earned wide critical acclaim and also the super hit status as a Bollywood movie. In a female-oriented plot Vidya Balan plays the role of the protagonist Vidya Baghchi (pronounced as 'Bidya' in Bengali), a software engineer in an advanced stage of pregnancy who lands i...