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Changes in Speed Post Services and Tariff!


The Department of Posts has recently announced changes in its Inland Speed Post services and tariff, adding new features to move ahead with the changing times. The revised tariff will be effective from 1st October 2025. The tariff of Inland Speed Post was last revised in October 2012. Under the rationally revised tariff structure the new rates are not substantially but only marginally higher, taking into account the host of safe, fast and smarter new features added. Additionally, to enhance accessibility of Speed Post services for students, a 10% discount on Speed Post tariff has been introduced.  Besides, a special discount of 5% discount has been introduced for new bulk customers. 

In order to further strengthen its position as the preferred delivery service in the country, it has now been upgraded with the following new features aimed at enhancing reliability, security, and customer convenience:

OTP-based secure delivery

Online payment facility

SMS-based delivery notifications

Convenient online booking services

Real-time delivery updates

Registration facility for users

Registration is available as a value-added service under speed post for both documents and parcels; customers can have addressee-specific secured delivery specifically designed to bring trust and speed together.

The Department of Posts introduced Speed Post on 1st August 1986 to provide fast and reliable delivery of letters and parcels across the country. Launched as part of India Post’s modernization efforts, the service was designed to ensure time-bound, efficient, and secure mail delivery. Over the years, Speed Post has emerged as one of the most popular and trusted mail services in India, standing strong against private courier companies.

Since its inception, Speed Post has continued to evolve to meet changing customer needs.

The initiatives are part of India Post’s ongoing journey of evolving into a more secure, transparent, and technology-enabled service provider. By introducing sustainable innovations and trust-enhancing features, Speed Post continues to adapt to the changing needs of customers while reaffirming its position as the nation’s most reliable and affordable delivery partner.    


Courtesy: ADPSR, Maharashtra Postal Circle, Mumbai.        

Zubeen Garg: A Loving Tribute!

 


The fair bright-faced boy with curly black hair, the sweet smile that never ceases to linger on his face and his eyes, his carefree ways and a great sense of humour, his brutal honesty and equally brutally outspoken, and yet the simplicity of his magnetic personality is overwhelming. These are the images that come to my mind whenever I think of him or his songs; even more now when his sudden untimely tragic accidental demise has shattered millions and millions across Assam, across India and across the world. These images are of the late 90s and early 2000s (unfortunately, I don’t have personal photographs as personal cameras or mobiles were conspicuously absent those days.). He is Zubeen Garg. He has been  a living legend of Assam, second only to Bhupen Hazarika, till destiny took him away just when the people of Assam have started celebrating the birth centenary of Sudhakantha Bhupen Hazarika. Zubeen, possibly the greatest singer-artiste ever produced in Assam, in terms of his mind-blowing following—covering/influencing/entertaining almost all of Gen X, Gen Y or the Millennials, Gen Z and even the Gen Alpha. And this is not just for his singing, but more for his sterling qualities that make him a dear friend of all the classes of Assam.


The crowds paying their last tributes all over Assam have been unprecedented with millions of them refusing to leave the streets or the grounds where his mortal remains are kept or awaited earlier for public darshan. Chief Minister of Assam, Himanta Biswa Sarma, initially announced a three-day state mourning from 20-22nd September, 2025, but had to extend it to 23rd bowing to the incredible surge of admirers. The state funeral thus is going to be held tomorrow, the 23rd September, in the outskirts of the city of Guwahati—a decision made on the request of Zubeen’s devastated wife Garima Saikia Garg and his family while there have been demands for being given the same honour from other cities.  His millions of devout admirers are also very angry because of some element of suspicion over his accidental death in Singapore on 19th September, 2025, and amid mourning their hearts are crying out for the truth and the action that has to follow.


After the huge successes of his first few albums of Assamese songs, folk mixed with modern music for the first time, he landed in Mumbai around 1995 trying to find a place in Bollywood. We too came to know him that time. There was a relative’s son who was an inseparable childhood friend from the Jorhat years of Zubeen, Gautam Chakravarty, and who came to Mumbai for a course in sound recording, and through him we came to acquaint ourselves personally with Zubeen. He brought Zubeen once to our home in Mumbai for lunch and then onward we continued to meet him in the studios and in the functions organized by the Assam Association, Mumbai during various festivals where he sang invariably. The boy with the golden voice soon found a footing in Bollywood music and started playback singing in various movies.


His song Ya Ali for the movie Gangster (2006) made him very famous earning him a nomination in the Filmfare Awards-2007. Thanks to his commitment to his home state and his own people, he couldn’t fully concentrate on Bollywood, and therefore, apart from the occasional Hindi and Bangla film songs he worked mostly for Assam—composing-writing-singing for albums and Assamese films, as music director for many of these films and also acting in a few of them, not to speak of his immensely popular performances on the Bihu stages all over the state. Very soon Zubeen had set up his own recording studios in Mumbai and Guwahati. As is natural for a legendary singer, awards and nominations kept coming his way. He won his first National Award in 2005, Rajat Kamal for Best Music Director from Assam for the movie Dinabandhu, and in 2007 he received another National Award for Best Music from the then President of India, Pratibha Patil, for the non-fiction film Echoes of Silence.


I rue the fact that for the last decade or so we haven’t had any personal contact with him; however, we always got the news about him, heard from his friends known to us and from the grapevine. Like most of superstars and legends, controversies surrounded him all the years—usually for his unconventional straightforward ways and words, and his outbursts in public places and on the music stages. Perhaps a family tragedy affected him beyond repair. His younger sister, Jonkey Borthakur, who had been emerging as a singer as well as a movie actor died in a road accident in Assam in 2002, at the tender age of 18. The trauma of losing a sibling is always unbearable—the trauma often leaving an inerasable impact on the other siblings, particularly the elder ones. Zubeen tried his best to relieve his trauma through music—releasing an album in her name, but perhaps the pain never left him, making him unpredictable, given to intoxication and created health issues in the recent years.

Zubeen Garg was totally apolitical—raising his voice against anything he found wrong with any political party or ruling parties. He wholeheartedly participated in the anti-CAA movement in Assam during 2021-22, apart from other protests where he took to the streets with his music. He is also known for his charity, never disappointing anybody in need. It’s said by his fans that nobody ever left his house in Assam empty handed. He also participated in setting up a supermarket where products were directly procured from the farmers and villagers.

Zubeen Garg was born and named after the legend Zubin Mehta to parents Mohini Mohan Borthakur and Ily Borthakur—his father a poet and lyricist apart from his civil service career and his mother also a singer who was Zubeen’s first guru. He changed his family surname ‘Borthakur’ to his gotra ‘Garg', perhaps to assume an Indian identity.  His father, around 85 years of age now, survives him along with Zubeen's youngest sister and wife Garima Garg. Today, we join the prayers of his family, friends and the millions of his admirers. May God bless his noble soul and rest him in eternal bliss. And his music is going to flow on unabated…more than 38 thousand songs in more than 40 languages and dialects keeping us tuned for ages to come. Salute the great artiste!

About a Train Journey, Again!


I seem to enjoy a special relationship with the trains of the Indian Railways, for most of my train journeys always yield a memorable result—at times very amusing and at times dearly painful. Over the decades I must’ve spent quite a few sleepless nights on various railway station platforms thanks to the delayed schedules or freak/serious mishaps on various tracks or my missing a train or the connecting trains, not to mention other sleepless nights I spent on board looking to get a reservation on the way that never came my way! I meet various interesting people on most of the journeys that make my journeys delightful or rather irritating depending on their quality, and most importantly most of those precious guys end up becoming my characters in my short or mini stories (most of which you can find in my various published collections of short stories. A few remain here too!)! Now, I invite you on board a train for a brief journey I undertook recently which actually doesn’t qualify for a memorable one by any of its revealed elements, but it does have an interesting angle that is somewhat unique to my varied experiences.As I mentioned the journey that started around noontime and was to reach the destination early next morning was in no way extraordinary and it didn’t present my wife and I with any difficulty or bad company as we got our good confirmed seats in the same compartment and except for a government officer who was shifting to a new posting there was no other people there for quite some time. And yes, the officer was very nice and immensely companionable. Obviously he had considerable luggage, but he adjusted efficiently not to inconvenience us.  

We spent several enjoyable hours together having our teas and the delicious meals offered by the Indian Railways pantry cars on some of its frontline express trains. After lunch the officer retired to his upper berth and accordingly as there was no other seating passenger my wife spread the bedsheets on her lower berth to have good afternoon nap. I occupied the other lower berth opposite to hers and I was spending the time looking out of the glass window—a pleasure I often indulge in whenever the opportunity presented itself.

Maybe by early evening I dozed off, for a commotion jerked me out of my drowsiness. It was not actually a commotion, the train only halted at a station and a new passenger was boarding. He was a young man of maybe twenty-something age and medium height, however, his small head housing the face was almost invisible amid the unnaturally huge bulk his body carried downward. He’s extremely overweight, I pondered, but it looks abnormal and there must be a clinical reason for his literally bloated fat-laden physique. It reminded me of the Sholay-famed veteran actor Amjad Khan who suffered from a disease of unnatural fat and eventually succumbed to it at his prime.

I was immediately responsive to the young man and sat up on the berth creating enough space for him to sit down. He thanked me, and asked his attendant to put his backpack on the berth above me. Then he prepared to ascend the upper berth, perhaps he wanted some rest.

The process was extremely painful to behold. The young man was unable to find the right foothold to ascend even as the attendant tried his best, and obviously he was not able enough to possibly lift the immense torso up. The officer at the opposite berth woke up in the meantime and noticed the mechanics of the ascent. He advised the young man to come in-between the berths and use his arms to push himself up resting his feet at the edge of my wife’s lower berth. I watched on even as the young man finally succeeded in lifting his body up flexing his both arms, and then suddenly I got very scared.

The stainless steel chains creaked at both the joints holding the upper berth as he slowly pushed himself up, and sitting down at the lower berth I watched in horror. The upper berth visibly curved downward and moaned like the hoofs of the oxen under tremendous pressure as the young man was finally able to place himself on it. I shot a quick glance at the officer who too was looking up and down concerned at the proceedings, trying to disguise my terror with an amused grin. Involuntarily, I started sliding to the inner fibre wall of my berth tilting up my knees so that should the upper berth crash down it’d catch my legs first rather than the precious head.

However, I was sure the Railways would never allow that kind of a freak accident and all the upper berths must’ve been firmly and powerfully chained up testing all kinds of weights on them beforehand. And lo! I was safe, nothing untoward happened!

But we are all ordinary mortals and the scares would never really disappear permanently. Therefore, the berth-crashing scares came back two more times that night: by late evening when the young man went for a leak break and ascended; and then ascended for the third time after having a late dinner at some other passenger’s seat perhaps. I held to my defending leg-positions on both the occasions, and thanks to the Railways nothing untoward happened. We also took up a conversation with the young man inquiring after his well-being and if he’d taken dinner or not.

During our dinner time when the young man was not there the officer confided to me in a hushed tone, “Good God! I was really worried the berth was going to crash down!” I gave him a reassuring smile.  


I had good night’s sleep despite the huge weight rolling and tossing around in the berth above, for the weight on my mind got considerably reduced by the display of the strength of the Indian Railways!

A Friendly Stranger at the Durga Puja!

  Call it coincidence or anything of that sort, for it happened again at the same Durga Puja pandal I mentioned in the previous story. This ...